Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome

French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and

Art Museum Visit This particular piece of art is a limestone statue, which in all likelihood, originally was a painted piece. Limestone was a precious mineral, and would have most likely been honed and by prepared by a servant or slave for the artisan to work with. This statue is considered to be sculpture in the round as there are no additional supports required (Barnet 113). A great deal of detail

Art in Cultural Context Cybele is an ancient figure who represented the mother goddess and in her was granted the ability to create and populate the world according to her desires. She was both the most powerful of the gods and also an amalgamation of the most powerful of the goddesses. In both Ancient Greece and Ancient Rome, cults which worshipped Cybele were established and elaborate temples were constructed in her

Both the statues serve the purpose of transmitting the idea that Virgin Mary and Christ the baby are the owners of absolute wisdom. One however is highly majestic and monumental while the other is simpler. Both of them communicate fundamental Christian values. They both have a similar dark colour which suggests the dark ages in which they were created. In both cases the virgin is depicted as protective. In one

Can it be that Kuan-yin is not a precursor to Seated but rather a copy of it, produced with less attention to detail and elegance because it was intended to serve the masses? While that is possible, one cannot completely discount either that, having been created during the same century (with little information to narrow down the exact year or even which half of the century), and with so